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2012 single past Taylor Swift

"We Are Never Ever Getting Back Together"
A photograph of Swift wearing sunglasses, a white shirt and black shorts sitting on a grassland. Her name "Taylor Swift" is printed in white and the title "We Are Never Ever Getting Back Together" is printed in red, both are capitalized.
Unmarried by Taylor Swift
from the album Carmine
Released Baronial xiii, 2012 (2012-08-13)
Studio
  • Conway (Los Angeles)
  • MXM (Stockholm)
Genre
  • Trip the light fantastic-pop
  • pop rock
  • bubblegum pop
  • electropop
  • electro-folk
Length 3:12
Label Big Motorcar
Songwriter(s)
  • Taylor Swift
  • Max Martin
  • Shellback
Producer(southward)
  • Max Martin
  • Shellback
  • Taylor Swift[1]
Taylor Swift singles chronology
"Both of Us"
(2012) 		"Nosotros Are Never E'er Getting Dorsum Together"
(2012) 		"Begin Again"
(2012)
Music video
"Nosotros Are Never Ever Getting Dorsum Together" on YouTube

"We Are Never Always Getting Back Together" is a song by American singer-songwriter Taylor Swift, taken from her fourth studio album, Cherry (2012). Information technology was released for digital download and to U.South. pop radio every bit the lead unmarried from Cerise on Baronial xiii, 2012, by Big Auto Records. Swift wrote and produced the song with Max Martin and Shellback. An upbeat dance-pop and pop rock song, "We Are Never E'er Getting Back Together" contains pulsing synthesizers, processed guitar riffs, bass drums, and a spoken-word span. Its lyrics express Swift'due south frustration with an ex-lover who wants to rekindle their relationship. An alternate version was released to U.Southward. country radio on August 21, 2012.

Music critics praised the track for its catchy tune and radio-friendly audio, though some described its lyrics as subpar for Swift's songwriting abilities. The vocal appeared in year-end lists by Rolling Rock, Time, and The Village Voice. "We Are Never Ever Getting Back Together" peaked atop the charts in Canada and New Zealand, and reached the top five in Australia, Republic of ireland, Israel, Nihon, and the U.K. On the U.S. Billboard Hot 100, the unmarried debuted at number 72 and rose to number i the following week, registering one of the biggest unmarried-week jumps in chart history. The single spent a record-breaking nine consecutive weeks topping the Hot Country Songs chart, and received multi-platinum certifications in Australia, Japan, New Zealand, and the U.Southward.

The music video for the song was released on Baronial xxx, 2012. The accolades that "Nosotros Are Never Ever Getting Back Together" received include a Billboard Music Award for Top Country Song, a Grammy Laurels nomination for Record of the Year, a CMT Music Honor nomination for Best Music Video, and a People'due south Choice Honour nomination for Favorite Vocal. Swift included the vocal on the fix lists of three of her world tours: the Red Tour (2013–14), the 1989 World Bout (2015), and Reputation Stadium Tour (2018). A re-recorded version of the vocal is featured on Ruby (Taylor's Version), Swift's 2021 re-recording of her 2012 anthology.

Background and release [edit]

Later on writing Speak Now (2010) entirely solo, Swift opted to collaborate with different songwriters and producers for Cherry. Thus, she called Max Martin and Shellback, two songwriters and producers whose work she admired, to discuss a possible collaboration. The trio conceived the concept for "We Are Never E'er Getting Back Together" before long afterward a friend of Swift's ex-boyfriend walked into the recording studio and spoke of rumors he heard that Swift and her former flame were reuniting. After the friend left, Martin and Shellback asked Swift to elaborate on the details of the relationship, which she described as "intermission upwards, go back together, break up, get back together, just, ugh, the worst". When Martin suggested that they write nearly the incident, Swift began playing the guitar and singing, "We are never ever......", and the song flowed apace subsequently. She described the process as one of the about humorous experiences she had while recording, and said the musical partners matched her expectations. An audio clip of her sarcastically speaking virtually breakups can exist heard before the final chorus.[ii]

The single was the pb single from Red.[3] Swift premiered the single on August 13, 2012, during a alive chat on Google+[4] with the song released on Google Play that twenty-four hours[5] for digital download and to iTunes and Amazon.com the next twenty-four hour period, August 14.[6] [7] A lyric video also premiered on Swift'due south official Vevo that same day.[viii] The song was released to Adult Gimmicky radio stations on August 13, 2012[9] and to mainstream radio stations the next solar day.[ten] The song was released to state radio on August 21, 2012.[11] The music video for the song premiered on August 30, 2012.[12] A limited edition individually numbered CD single was released to Swift's official shop and Amazon.com on September four, 2012. The express edition CD single was packaged with a "We Are Never Ever Getting Dorsum Together" T-shirt and haversack.[13] The CD unmarried was besides available for individual purchase.[fourteen] The CD single was released exclusively to US Walmart stores the aforementioned mean solar day.[15]

Composition and lyrics [edit]

The three-minute-and-twelve-second song[5] features electronic heavy production accompanied to acoustic guitars, a banjo, and a popular music vocal styling, a musical transition for Swift.[16] It was written in the key of G Major with a common fourth dimension signature and a tiresome tempo of eighty-six beats per minute, with Swift's vocals spanning one octave and five notes, from Chiliad3 to East5.[17] The rails features an acoustic guitar (some of its sounds are reversed) and various synthesizers over an electronic drum crush. The country radio release featured a different instrumental arrangement. The alternate mix replaced the guitar, drum machine, and synthesizers with a mandolin, fiddle, steel guitar and snare drums.[18] The song was written past Swift, along with Martin and Shellback.[eighteen] [nineteen] The lyrics discuss Swift's frustration towards a former male lover who wants to rekindle their relationship. Jonathan Keefe of Slant Mag describes it equally a bubblegum pop number[twenty] [21] while AllMusic categorized the song under the trip the light fantastic toe-pop genre.[22] James Lancho, reviewing the album Carmine called the song "sassy pop-rock in the mould of Katy Perry",[23] and Marc Hogan of Spin deemed the unmarried "saucy electro-pop".[24] The New York Times dubbed it a "snarky electro-folk tune".[25]

Critical reception [edit]

Professional ratings
Review scores
Source Rating
Billboard 4.5/v[26]
Common Sense Media [27]
Digital Spy [28]
Rolling Stone [29]

Upon initial release, the song received positive reviews from music critics. Robert Myers of The Village Voice felt that the song, while "good", was "not Swift at her best" and speculated that the decision to release it every bit a lead single was made for commercial reasons: "I dubiety 'Never E'er' is fifty-fifty close to being the best vocal on Ruby-red; information technology'south a teaser, an indication to her fans of what'due south coming upward. That sounds like commercial adding of the worst kind, but I don't think it is. Swift'south connection with her audition is possibly more of import than her connection with her boyfriends. And there is one vivid touch on: the spoken scrap that comes after the centre eight."[xxx] Grady Smith of Entertainment Weekly drew comparisons with Avril Lavigne and praised the "undeniable, instantly catchy claw".[xviii] While describing the vocal as "joyous", he nevertheless expressed business organization that the vocal'due south "juvenile sensibilities" marked a regression following Swift's piece of work on Speak Now.[18] Jody Rosen of Rolling Stone noted that the vocal'south "hooks, plural, accept a zing that's more Stockholm than Nashville. Merely information technology's unmistakably Taylor: a witty relationship postmortem, delivered in inimitable girlie-girl patois. And this bit – "I'm just, I mean, this is exhausting. Similar, nosotros are never getting back together. Like, ever" – might be the most sublime spoken-word interlude in pop since Barry White died."[29]

Marah Eakin of The A.5. Gild commented on "what a good song it is": "With its thumping kick drum, clipped syncopation, and mildly snarky lyrics, it's a teen dream in the vein of Swift's other sing-along jams like "Love Story" or "Y'all Vest with Me."[31] Kevin Coyne of State Universe gave the song a declining D grade, calling it a "huge step backward".[32] James Montgomery of MTV felt the "fantastic" vocal may "represent a turning point in her career ... Swift no longer has any interest in being the victim ... [She] displays a defiant, liberated streak". He noted that the song seemed "custom-crafted to dominate radio ... all shiny, silvery guitars and walloping, whomping choruses".[33] Amy Sciarretto of Popcrush praised Swift for capturing a "universal feeling in an upbeat, empowering song" and described information technology equally "one of the catchiest tunes she's always penned".[34] Jonathan Keefe of Slant Mag described "the melodic hook" as the song's best attribute but criticized Swift's "stilted phrasing". He described her vocal operation as a "complete misfire", pointing out that her voice was at its "almost unpleasant and nasal". All the same, Keefe warned that it was "premature" to say the "total-on pop" song "signals anything more than a temporary breakup".[20] David Malitz of The Washington Post plant the song young and remarked, "the chorus is catchy but if this is representative of what awaits on Red, it'southward hard to be also excited".[35] Glenn Gamboa of Newsday described it as "anthemic in a slick pop way, rather than her usual modern state style ... Part of T. Swizzle's charm is the manner she makes her songs audio genuine and conversational and 'Never Always' is no exception".[36] Billy Dukes of Taste of Country stated that "[Swift] captures the anger of young honey gone incorrect meliorate than anyone since, well…[Taylor] Swift" and that the vocal'southward tune is "difficult to comprehend apace."[37] However, Camille Mann of CBS News considered the vocal to be "tricky".[38]

"We Are Never Ever Getting Dorsum Together" featured on 2012 twelvemonth-terminate lists past Rolling Stone (second),[39] Fourth dimension (fourth),[40] The Guardian (fifth),[41] The Village Voice 's Pazz & Jop critics' poll (sixth),[42] PopMatters (11th),[43] NME (24th),[44] and Consequence (40th).[45] The unmarried was named the 169th best song of 2010–2014 on Pitchfork'southward "The 200 Best Tracks of the Decade So Far (2010-2014)" listing.[46] It also received a Grammy nomination for Record of the Year for the 2013 Grammy Awards.[47] In 2019, Stereogum ranked the vocal every bit the 71st best song of the 2010s.[48] Rolling Stone ranked the song as the thirteenth-best female country song of the 2000s and 2010s.[49] The Tampa Bay Times ranked it quaternary on their list of the all-time 2010s pop songs.[50]

Accolades [edit]

Year Organization Award/piece of work Result Ref
2012 Guinness World Records Fastest Selling Single in Digital History Won [51]
2013 Academy of Country Music Awards Best Music Video Nominated [52]
Billboard Music Awards Meridian Streaming Song (Video) Nominated [53]
Top Country Vocal Won
BMI Awards Laurels-Winning Songs Won [54]
CMT Music Awards Video of the Year Nominated [55]
Grammy Awards Tape of the Year Nominated [56]
MTV Video Music Awards Japan Best Female Video Nominated [57]
Best Pop Video Nominated
Best Karaoke Video Nominated
Much Music Video Awards International Video of the Year Nominated [58]
Myx Music Laurels Favourite International Video Nominated [59]
Nickelodeon Kids' Selection Awards Favourite Song Nominated [lx]
Argentina Nickelodeon Kids' Option Awards Favorite International Song Nominated [61]
People'south Choice Awards Favourite Song Nominated [62]
Radio Disney Music Awards Best Break Up Song Won [63]
[64]
Sirius XM Holdings Awards International Video of the Year Nominated [65]
International Single of the Year Nominated
Teen Pick Awards Pick Break-Up Song Nominated [66]
Choice Country Vocal Won
MTV Millennial Awards Striking Chicle del Año (Catchiest Hitting of the Year) Won [67]
Hito Music Awards Best Western Vocal Won [68]
2014 World Music Awards Earth'southward Best Song Won [69]
World'south Best Video Nominated
ASCAP Awards Nearly Performed Vocal Won [lxx]
BMI Popular Awards Award-Winning Vocal Won [71]

Commercial performance [edit]

In the U.S., "We Are Never Ever Getting Back Together" debuted at number 72 on the Billboard Hot 100 chart week ending August 25, 2012, based on two days of airplay.[72] It rose to number one the post-obit week, registering one of the biggest single-week jumps in chart history.[73] Giving Swift her showtime Hot 100 number one, it made Swift the country artist with the most top-10 chart entries (eleven, tying with Kenny Rogers).[74] It spent two consecutive weeks at number one[75] and was the first country song to spend three or more weeks at number one after Kenny Rogers's "Lady" (1980).[76] The single stayed in the tiptop ten for thirteen non-sequent weeks.[77] On the Radio Songs chart, "Nosotros Are Never E'er Getting Back Together" entered at number 25, the highest debut for a song by a female country creative person.[78] Information technology peaked at number three for 3 not-consecutive weeks, giving Swift her quaternary acme-x entry.[79] On the Hot Digital Songs chart, "We Are Never E'er Getting Back Together" debuted at number one with get-go-week sales of 623,000 digital copies in the week catastrophe September 1, 2012, setting a record for the fastest-selling digital single by a female artist in Billboard chart history.[note 1]

A black-and-white portrait of Connie Smith in 1960s hairstyle looking upwards

The single debuted at number xiii on the Hot Country Songs nautical chart week catastrophe September 1, 2012, based on airplay alone.[82] After Billboard changed the methodology for the chart, incorporating digital sales and streaming into chart rankings in improver to airplay, "Nosotros Are Never Ever Getting Back Together" ascended to number 1 for the nautical chart dated October 20, 2012, giving Swift her 7th Hot Country Songs number one.[83] This prompted manufacture debate over the condition of Swift as a country artist, given that "Nosotros Are Never Ever Getting Back Together" received lukewarm reception at state radio and never reached the top ten of the Country Airplay chart, and was more favorably received at pop radio.[84] It remained on the top spot of the Hot Country Songs for nine consecutive weeks, breaking the eight consecutive weeks record of Connie Smith's "Once a Day" (1965) for the longest unbroken run at number ane for a female artist.[85] The song spent a full of ten weeks at number one,[86] a career best for Swift and a record for the longest-run at number 1 for a female artist.[note 2]

"We Are Never Ever Getting Back Together" peaked within the top 10 of Billboard airplay charts including Adult Contemporary, where it reached number x for 7 not-consecutive weeks,[89] Developed Pinnacle twoscore, where it reached number 7,[90] and Mainstream Top xl, where it peaked at number two for four non-consecutive weeks.[91] Roughly ii months after its release, the single surpassed two million U.S. digital sales by September 2012, making Swift the kickoff country artist two have half-dozen digital singles each sell over two one thousand thousand copies.[92] By July 2019, "We Are Never Ever Getting Back Together" had sold 4.1 meg copies in the U.S.[93] The Recording Manufacture Association of America (RIAA) certified the unmarried six times platinum, denoting six meg units based on sales and streaming.[94] In neighboring Canada, the unmarried peaked atop the Canadian Hot 100, Swift's 2nd number one post-obit "Today Was a Fairytale" (2010).[95] It was certified gold past Music Canada (MC).[96]

Outside N America, "We Are Never Ever Getting Back Together" peaked atop the record chart in New Zealand, where it was certified double platinum by Recorded Music NZ (RMNZ).[97] The single peaked within the height ten on charts in State of israel (number two),[98] Australia (number three),[99] Republic of ireland (number 4),[100] the U.K. (number iv),[101] Norway (number six),[102] Republic of hungary (number nine),[103] and Spain (number nine).[104] Information technology peaked at number 8 on Euro Digital Vocal Sales, a Billboard nautical chart monitoring digital singles beyond Europe.[105] The track was certified platinum in Sweden and the U.Grand.,[106] [107] and five times platinum in Australia.[108] By October 2014, the single had sold over 616,000 digital copies in the U.M.[109] In Japan, "We Are Never Ever Getting Back Together" was a chart success, peaking at number two on the Japan Hot 100 and remained on the chart until 2015, iii years after its release.[110] The Recording Industry Association of Nippon (RIAJ) awarded the single a "One thousand thousand" certification for selling over i meg digital copies.[111]

Music video [edit]

Groundwork and release [edit]

A music video for the vocal premiered on CMT, MTV and TeenNick on August thirty, 2012, at seven:49 pm Eastern fourth dimension, and later on MTV.com, CMT.com, and VH1.com the same day at 8:00 pm Eastern time. The video is directed by Declan Whitebloom, with whom Swift has worked on the music videos for both "Hateful" and "Ours".[12] The video was shot similar a popular-upwardly book using a Sony F65 CineAlta camera with Leica 25 mm Summilux-C lens in one continuous shot with no editing, and features five sets and Swift in as many outfits.[112] Information technology is likewise the first music video to be featured in 4K resolution.[113] Co-ordinate to Swift, she wanted the video to exist as "quirky as the song sounds" and stated that "At that place's simply knitting everywhere; in that location'south only random woodland creatures popping up."[38] Prior to the video's release, a 14-second preview was released by CMT on their official YouTube on August 30, 2012.[114] As of September 2021, it has over 674 million views on YouTube.[115]

Synopsis [edit]

The video, which is done every bit one continuous shot,[116] begins with Swift in colorful pajamas recounting the events of her off and on again relationship with her ex-boyfriend (played by Noah Mills). The video and then segues into Swift going into her living room where her band is dressed upward in animal costumes and Swift belts out the chorus of the song. The video then goes to a TV where Swift says "Like, ever." and then to the dining room where we see she returns to recounting the events of her relationship and receives a phone telephone call from her ex who is calling her from a nightclub. Swift hangs up on him and he walks off screen into the nightclub. It so goes to the ii in a truck having an argument and then to them having a stroll in the park. Swift then runs off and we see her on the telephone telling the person on the other line how she and her ex are not getting dorsum together and her frustration of their unabridged human relationship. The video then segues back to Swift's living room where a party is going on and her ex shows upwardly unannounced trying to woo her back and she slams the door in his face. The video ends with Swift on her window ledge where she was at the first of the video, singing the last line of the song.[117]

Reception [edit]

James Montgomery of MTV praised the video stating that the video is "truly a treat to watch".[118] Jim Farber of the New York Daily News annotate on the video was that "[Swift's] tone and demeanor in the clip is conversational and sarcastic, ideally suited to simulating intimacy with her massive teen girl fan-base."[119] Carl Williott of Idolator commented on the video'due south content and stated "what more than could you ask for in a visual for a #1 pop smash?"[120] Rolling Rock chosen it "flinging strong-willed sass".[121] David Greenwald of Billboard stated that the video "is a quirky celebration that finds Swift singing and dancing with band members in animal costumes in between human relationship flashbacks -- all filmed in an elaborate long shot. Swift wears large glasses and a pair of printed pajamas as she shrugs off her not-so-nice ex-fellow, a scruffy, seemingly older musician-type with a penchant for drama."[122]

Alive performances [edit]

Swift performing "Nosotros Are Never E'er Getting Dorsum Together" on the Ruddy Bout in 2013

Swift performed the song live for the first time at the 2012 MTV Video Music Awards on September vi, 2012, which was held at the Staples Centre in Los Angeles.[12] [123] Swift was the last performance of the night and, wearing a cerise and white striped shirt and black shorts, began her performance in an area resembling a recording studio before taking the stage along with her dorsum-upwardly singers, dancers and ring (in animal costumes) took the stage.[124] Swift also performed the song live at the iHeartRadio Music Festival in 2012 and 2014. During her visit to Brazil, she performed the song on TV Xuxa and during a concert in Rio de Janeiro on September 13, 2012.[125] [126]

Swift performed the song on the British version of The X Gene on October 14, 2012.[127] She performed the song on the German TV show Schlag Den Raab.[128] On January 25, 2013, Swift performed "We Are Never Ever Getting Back Together" at the Los Premios 40 Principales in Kingdom of spain.[129] The side by side day, she performed it in Cannes, France, during the NRJ Music Awards.[130] On February 10, 2013, Swift performed the song at the 2013 Grammy Awards, opening the ceremony. She performs the song on her Red Tour nightly every bit the finale. A rock version of the vocal was performed on The 1989 World Tour. More recently, the vocal was performed as a mashup with "This Is Why Nosotros Can't Accept Nice Things" as the finale on Swift'south Reputation Stadium Bout. Swift performed the song on the iHeartRadio Wango Tango on June 1, 2019. On Dec viii, she performed an acoustic version of the song at Capital FM'due south Jingle Bell Ball 2019 in London.[131]

Parodies [edit]

The vocal and video were parodied by teddiefilms in the style of Breaking Bad. The parody, chosen "Nosotros Are Never Ever Gonna Cook Together," was uploaded to YouTube on October 18, 2012.[132] The 22nd episode of Grey'south Beefcake 's tenth flavour is titled "We Are Never Always Getting Back Together".[133] On September 8, 2012, YouTube star Shane Dawson, parodied the song, releasing a studio version[134] and a music video on his YouTube aqueduct.[135] Sky News remixed portions of speeches past David Cameron to make it appear as though he was reciting the chorus as promotion for their coverage of the 2014 Scotland Independence Plebiscite.[136]

Credits and personnel [edit]

Credits are adapted from the liner notes of the CD single.[137]

  • Taylor Swift – pb vocals, writer, producer, backing vocals
  • Max Martin – producer, author, keyboards
  • Shellback – producer, author, guitar, bass, keyboards, programming
  • Tom Coyne – mastering
  • Eric Eylands – assistant recording
  • Serban Ghenea – mixing
  • John Hanes – engineer
  • Sam Holland – recording
  • Michael Ilbert – recording
  • Tim Roberts – assistant engineer

Charts [edit]

Certifications and sales [edit]

Release history [edit]

"We Are Never Ever Getting Back Together (Taylor's Version)" [edit]

"We Are Never E'er Getting Back Together (Taylor'southward Version)"
Vocal by Taylor Swift
from the album Red (Taylor's Version)
Released November 12, 2021 (2021-eleven-12)
Genre
  • Dance-popular
  • popular rock
  • bubblegum pop
  • electropop
  • electro-folk
Length iii:thirteen
Characterization Republic
Songwriter(south)
  • Taylor Swift
  • Max Martin
  • Shellback
Producer(s)
  • Christopher Rowe
  • Taylor Swift
  • Shellback
Lyric video
"We Are Never Ever Getting Back Together (Taylor's Version)" on YouTube

Swift re-recorded "We Are Never E'er Getting Back Together", subtitled "(Taylor'south Version)", for her 2d re-recorded anthology, Red (Taylor's Version), released on November 12, 2021, through Democracy Records.[200]

Charts [edit]

See too [edit]

  • List of Billboard Hot 100 number-one singles of 2012
  • List of Billboard number-ane land songs of 2012
  • List of number-one digital songs of 2012 (U.S.)
  • List of Canadian Hot 100 number-one singles of 2012
  • List of number-i singles from the 2010s (New Zealand)

Footnotes [edit]

  1. ^ The tape was cleaved by Adele'south 2015 single "Hi" (2015), which sold over ane.1 million digital copies in its start week.[80] [81]
  2. ^ The tape was broken by Bebe Rexha's "Meant to Be" (2017) featuring Florida Georgia Line, which spent 35 consecutive weeks at number one.[87] [88]

References [edit]

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  2. ^ Effron, Lauren (August xiii, 2012). "Taylor Swift Reveals New Album, 'Blood-red,' Drops New Single, 'Nosotros Are Never E'er Getting Back Together': ABC Exclusive". ABC News. Archived from the original on Oct 15, 2017. Retrieved August 14, 2012.
  3. ^ Wolff, Kurt (January 16, 2013). "Behind The Song: Taylor Swift 'We Are Never Ever Getting Back Together'". CBS Local. Baltimore. Archived from the original on February one, 2013. Retrieved Jan 16, 2013.
  4. ^ Taylor Swift (August 13, 2012). "Taylor Swift Web Chat and Thou+ Hangout". YouTube. Google Inc. Archived from the original on November 23, 2020. Retrieved August 17, 2012.
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  6. ^ "We Are Never Ever Getting Dorsum Together – Unmarried". Apple Music. Archived from the original on August 19, 2012. Retrieved August 14, 2012.
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  13. ^ a b Sources:
    • Taylor Swift (August 14, 2012). "Taylor Swift LIMITED EDITION 'We Are Never Ever Getting Dorsum Together' Package". TaylorSwift.com. Archived from the original on August 21, 2012. Retrieved August 17, 2012.
    • "LIMITED EDITION 'We Are Never Ever Getting Dorsum Together' Package: Amazon.com". Amazon. Archived from the original on August 31, 2012. Retrieved August 28, 2012.
  14. ^ Sources:
    • Taylor Swift (August 28, 2012). "Gratuitous SHIPPING: Express Edition "Nosotros Are Never Ever Getting Back Together" Single CD". Taylorswift.com. Archived from the original on August 31, 2012. Retrieved August 28, 2012.
    • "Limited Edition 'We Are Never Always Getting Dorsum Together' Single CD: Taylor Swift: Music". Amazon. Archived from the original on Feb viii, 2016. Retrieved August 21, 2012.
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Source: https://en.wikipedia.org/wiki/We_Are_Never_Ever_Getting_Back_Together

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